Friday, February 21, 2020

Zen And Small Retail Management

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I don't throw the term "Zen" around too often, as I've been a Zen Buddhist practitioner for a long while. However, there are some parallels with specialty retail management and I wanted to share them. When you're running a specialty retail business, there is a lot of confusion. I get questions all the time from new store owners about the minutiae of running a store, which is endless, idiosyncratic and practically unknowable. There are stores that have predictable sales patterns, but for the most part every month has been an adventure for me, without a lot of obvious patterns to help plan through the chaos. 

The same is true with Zen meditation, with a lot of working through chaos with no idea if there will be positive results. The faith in Buddhism is the faith there will be results to the work. The tree will bear fruit, one of an infinite number of agrarian metaphors. Sometimes you have a breakthrough and learn it was indicative but not important. One of my teachers referred to that as "walking by the garden." You're not in the garden, but you're garden adjacent. Good effort. Business can be the same way. You think you have success, but then the next month the whole thing falls apart. In Zen that's pretty typical, in business it makes you want to cry, especially when you see friends and families, employees, have a simple, predictable lifestyle. Life will never be simple or predictable again.

Eventually you have a legitimate breakthrough in business as in meditation, and how are you rewarded? That's right, with more work. You struggle again, thinking you'll never make it, you've hit your peak. You know what? You might be right. There's no guarantee you'll get anywhere, and it's a combination of effort and wisdom that gets you to the next level. If you have effort and no wisdom? You'll be there a long time, languishing. The good news is pain can provide wisdom, so there's always hope. I remember several years where I wished my business would just fail already, since it couldn't seem to plateau to the next level. But eventually it did, through persistent effort and continuing to try different things until I found success (wisdom).

If you are struggling now, more than likely you're working your way to that next plateau. If you think the work will be over soon, you're mistaken. You can certainly decide not to continue the climb, but everyone, at every level, is working to get a little further up that mountain. Even multi million dollar businesses are faced with plateaus and what to do next. The higher up you climb, the more costly the mistakes too.

The "beach house in Maui" is the example a Harvard Business School report described that final ascent. You have three options as you approach the summit: you can plug away, content in your success, you can risk it all on that final ascent, or you can distract yourself because you're clearly not one to be content. You plan to build a beach house in Maui. Or build a Jeep to travel the world. Or whatever else smart people with money do to distract themselves. The beach house in Maui is true at every level, although you might decide to stop because you finally bought a house or finally have a steady income for retirement savings.  It's up to you to decide when you've had enough. You could work until the day you die, and increasingly I know those folks. Much of what's written about meditation practice is getting you to break through that complacent plateau. In business, you can always decide you're at a comfortable altitude.

Age is a big factor, as you spend ten, twenty, thirty years climbing that business peak, do you really have time to fix a mistake if it all crumbles? You're probably unemployable, either because you have no marketable skills or you're incapable of working for someone else. You have a mortgage and kids and college funds and retirement plans. You can do this until you've had enough. When is enough? Age and income is the answer. Do you have time to start another climb? Does it sound appealing? Without money, you gotta do something. Maybe just visit Maui and see if there are any lots for sale. I'm sure it won't lead to anything.

Finally, the "how do I know?" question, of whether you're in the garden or garden adjacent. A teacher as guide is helpful with a meditation practice. In business it's much easier to see the results. It's not hard. It's money in the bank. If you're sitting on a pile of money and wondering where you're at, you've probably plateaued. If you don't have a big pile of money, you're probably walking by the garden.

Thursday, February 20, 2020

The Secret Box: The Rise Of Paperboy, Short Film, Review And Interview

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A fun combination of characters, setting, and a story to make you smile. This fantasy from Austria and Ireland is a wonderful short film for the entire family.

The Secret Box: The Rise of Paperboy was screened at the 2019 Filmquest film festival (website) where it was nominated for Best Fantasy Short, Best Score, Best Production Design/Art Direction, and Best Costumes.

Synopsis: An abandoned street-kid in the docks of New England, Codie 'Paperboy' Basket is present when an adventurer T. Huxley and his bunch of henchmen fail to open a lost wooden box.

The director, Georg Leitgeb, provided some insights to his short film and some of his personal history and inspirations. I have to also say I admired his hats at the festival.

What was the inspiration for A Secret Box: The Rise of Paperboy?

For the last 7 years I was collecting Design-Samples from advertising and entertainment of the 20s right up to the 80s. Pulp literature, comics or old vintage package-designs. With elements of this wild mix and an emphasis on adventure, sci-fi and mystery storytelling, I created a narrative Retro-Brand.

The emotional trigger was to illustrate playful stories for all ages filled with adventure and nostalgia. Settings and characters which remember us of the days when we hung out in treehouses, looked for buried treasures and discovered something new every day.

Out of this emotional inspiration, grew also a strategic need. Building this narrative world called KTC®Universe together with a group of international creatives, I noticed that we would need a high-quality Prototype to test some ideas and aspects for our industry partners. But we didn't want to put all the effort and money into something that might end up as just a test-run. On top of that, our world needed to be introduced to our audience sooner or later anyway. So, we decided to build a storyline and a setting for a smaller entertainment piece. Containing all our creative aspects to set a tone and style for something that can grow. So, all these aspects worked like a checklist for me, when developing this first entertainment piece. The outcome was 'The Secret Box' cross-media trilogy, which opens a door into the narrative world of KTC®Universe to give our first audience something to be entertained by. One can even say that my position as the leading creative producer, writer and director of this trilogy grew organically—a little bit like laying bricks around yourself in a circle and when you wake up, you're standing on top of a tower.
 

What project(s) do you have coming up you're excited about?

The one that I'm most excited about, when it comes to world-building, is a mystery-horror series, where I'm currently building the universe, designs and the storyline. It's set in the 60s and 70s in the New Orleans swamplands.

In terms of directing, I've got a finished 3rd draft screenplay lined up in good shape, which is currently looking for a major producer. When it comes to writing and showrunning, I'm involved as a co-creator of a mystery-sci-fi series, which has landed on the desk of an international streaming-network to be optioned.

What was your early inspiration for pursuing a career in film?

Because I'm combining writing, design and directing as a creator, this is really hard to answer. To design something, came pretty early as a kid between 6 to 10. It came organically, when I started to scribble and drew my own hideouts on paper or drafted a pirate fortress or spaceship. Then throughout the years, my interests gravitated more into music and film. When I was 17, I edited my first small skateboard films and music-videos. This hobby led me to studying theatre, film and media in Vienna. And finally, the idea of writing complex and mind-twisting stories joined design and filmmaking around 2009, where I began to mold narrative settings from scratch in combining all the three disciplines. Now looking back, when I create a setup for one of my films, I notice that I'm doing the same thing that I did when I was 10: drafting a pirate fortress or a treehouse or a hide out. But now I'm able to turn these ideas into a storyline that can be told to an audience.
 

What would be your dream project?

The way I see it, my dream project better always be the next project that I have in sight and that is possible to reach. Because, when a new opportunity knocks or an offer, I ask myself the question: Can I turn this into my next 'dream project?' If the story or the tone does not fit my workflow, style or mindset, then I don't do it. If I find enough aspects of my own brand in such a project, I immediately pour all my creativity into it. At a certain point I can get quite obsessed with such projects, but this obsession is a positive energy for me. And step by step this becomes a dream project because of that. But of course, there's always something called 'The endgame' or 'the goal' that you pursue in a career. I think my goal in this is, to be well connected in the international entertainment market and to have access to all tools, facilities and materials needed for my creative-teams, to turn my worlds and stories into well-made entertainment, which gets a wide audience excited and hooked.

What are some of your favorite pastimes when not working on a movie?

Beside my work as a world-builder and storyteller, in my twenties, I was quite busy with DJ-Lines in Austrian indie-alternative clubs. I played guitar in a small local punk band and I wrote for an Austrian music-online platform where I reviewed LPs and music festivals. These activities were a great add on to my studies in filmmaking and from 2005 to 2013 was pretty much the time where quality of indie and alternative guitar music peaked. So, I'm happy to have those memories. Sometimes I still host a couple of DJ-Lines, to bring myself back into this time.

What is one of your favorite movies and why?

One of my favourite movies, which is also a big inspiration when it comes to my work as a filmmaker is Steven Spielberg's Hook. The story structure is so well balanced, every plot point is marked by suitable key-line in the dialogue and the theme is totally universal. There are so many big key-moments, where the performance of Robin Williams and Dustin Hoffman is nailed and perfectly underlined by Williams' Score.

You can find out more about The Secret Box: The Rise of Paperboy on the following sites.

Facebook (link

Instagram (link)

IMDB (link)

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Article: The Strategic Use Of Smartphone Features To Create A Gaming Experience Of Mystery: The Mind Alone Case

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As I said in the last post, in July I attended the Human Computer Interface Conference at Orlando (Florida). Today I want to share my article (click here) and invite everybody to buy the conference's book with all the articles related to the subject "games" (click here).



#GoGamers

Life Is Strange 2 | Episode One "Roads" Review |

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After a late spring of prodding, Dontnod's continuation of its award-winning episodic adventure arrangement Life is Strange is here, and it has a loud and clear message to convey to every one of us.

Quick Facts :

  • Initial release date: 27 September 2018
  • Developer: Dontnod Entertainment
  • Genre: Adventure game
  • Platforms: PlayStation 4, Xbox One, Microsoft Windows

'Roads' What Is It About :

'Roads', the first episode in Life Is Strange 2, is around two primary things; naivety and wistfulness. It's a testing, self-contradicting true to life experience about children growing up and confronting the duties that join that, encircled through the account of two siblings who are unreasonably youthful to be outfitted to manage their nerve racking circumstance. That juxtaposition is, at its center, what makes this opening section to Life is Strange 2 so exceptionally extraordinary. 

Life is Strange 2 includes none of the characters or settings of its forerunner. Its new saint, a 16-year-old hero Mexican-American kid named Sean Diaz, does not have a choice turning around time-travel capacity like Max Caulfield. Be that as it may, the minute an acoustic guitar starts carefully strumming over the sun-kissed title screen, it is obvious what you are playing. This might be a new story among new faces and obscure districts, however from every other angle this is Life is Strange.


The game rapidly sets the scene. Sean is a relatable track star youngster who is attempting to discover his way in the world , trying different things with workmanship, medications, and young ladies and stressing over whether kinships will last as his training finds some conclusion. The two siblings live with their dad Esteban, a workman and the passionate shake of the family which the siblings rotate around. 

Life is Strange 2 is inside and out a more intricate issue: its activity sprawls out from Seattle to the forested areas of Oregon and still more distant abroad, giving it the vibe of a street motion picture in amusement frame. 

The carefree dynamic of the Diaz family is quickly fathomed as you examine Sean's home, gathering supplies for a late-night party. The course of action has had a honest to goodness graphical refresh as a result of Unreal Engine 4, which infers swathes of superbly completed the process of describing objects, ordered journal doodles, and fluid, human activitys that pass on another level of nuance to the record.


Life is Strange 2, most importantly, is an account of fellowship and society, and even in its beginning times Sean and Daniel's relationship is tremendously contacting. Out and about, Sean is urged to not just pay special mind to or secure Daniel, but rather help raise him. That duty shows in manners both self-evident – don't spook the child with phantom stories previously you stay outdoors amidst the forested areas around evening time — and more hazy. You're bankrupt and eager and urgent. Is it worth a critical dollar to offer him a hint of something to look forward to as a chocolate bar or a toy? 


An untidy whiteboard demonstrates a disorderly errand plan… Invoices and apparatuses uncover that Esteban is a compulsive worker. Sean chimes in contemplatively to The Streets in his room, and Daniel opens his entryway somewhat subsequent to pummeling it close to ensure his sibling won't see his Halloween ensemble. It's a living domain, more so than any found in the principal diversion. 

The devil genuinely in the subtle elements, and this is extended to the discourse. Sean would now be able to respond to surrounding discussions amid ongoing interaction, or, in other words, much like the framework found in Night School's Oxenfree. This implies the game doesn't simply bolt you out when you associate with something, and there's very little dead air when you're investigating, which I for one believe is a colossal move up to life is strange part 1.


Discussions proceed all through physical activities, which helps me to remember discussion among Sam and Nathan in uncharted 4, makes the experience undeniably streaming and artistic. This is helped by an influx of new camera strategies, from taking off feathered creatures eye-see shots of the siblings to astute close-ups and wide edges that give space to the player to think about and consider what unfurls before them. 

A progression of grievous occasions happens not long after the introduction which results in the incidental demise of their racially provocative neighbor, which subsequently prompts their dad turning into a casualty of police severity, shot dead without hesitating. 

The menu and stock framework have been fleshed out definitively, and your knapsack is loaded up with nostalgic things from your home and will keep on clamoring with articles as you advance through the story. You can likewise hang trinkets and connect fixes to it, these going about as the discretionary collectables you can discover amid the occasions of the diversion. 

In particular, the things in your rucksack really mean something, As it holds everything that the siblings have left from their previous life. Sean's journal is another key bit of gear. Amid calm minutes Sean can utilize his craft aptitudes to sit and draw the earth around him, a fun little amusement that effectively makes a memory,(This too helps me to remember Uncharted 4 where Nathan draws his own guide in somewhat entertaining path as he continues investigating ) demonstrating DONTNOD's proclivity to attach play to the story.



While investigating you will locate an additional blue feature on specific things in the condition that takes into account a dialog between the siblings, rather than perceptions neighborhood to the hero. You can train Daniel about trail blast blemishes on trees and push him to continue attempting when he has a craving for abandoning skipping stones. 

Its influenced fascinating in light of the fact that you to understand that Sean is similarly as green to the world as his sibling, however is presently his sole gatekeeper. You're compelled to consider how you utilize that duty. Daniel is starving and you don't have any cash for nourishment, yet by taking you affect him by obscuring the lines among good and bad, which have outcomes even inside this one episode. 


Obviously, there are additionally interchange, more twofold flashpoints that don't have simple answers, however I found that creation intense choices and lamenting my activities attempted to make a feeling of perpetual quality and promise to my own story that had me considerably more drew in with this account than I at any point was in past titles in the arrangement. 

At last, this outcomes in a wonderfully paced prologue to a fresh out of the plastic new world, one that I never needed to take off. Cunning composition and important moves up to the moment to minute ongoing interaction guarantee that Life is Strange 2 is an equation breaking development for the experience diversion kind. 

The Verdict :

The first episode of Dontnod's Life is Strange 2 guarantees a greater, more intricate story than told by the predecessor, Though its social reactions feel expansive and rather awkward up until now, its center story of fellowship and clique between two conceivable characters is as of now gigantically contacting. With Life is Strange 2, DONTNOD has overhauled and refined each component that made its ancestor fruitful, while sprinkling some supernatural new increases in with the general mish-mash to make a basic kind pushing background that isn't only for fans.


Wednesday, February 19, 2020

[IACR] ePrint Report: Thresholdizing HashEdDSA: MPC To The Rescue

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ePrint Report: Thresholdizing HashEdDSA: MPC to the Rescue

WW1 Naval Campaign - Heligoland Bight

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Well it's time for our second Battle Report from our ongoing WW1 Naval Campaign, check out the latest copy of T'Yarkshire Ferret Newspaper above with all the gossip and tittle tattle around the goings on off the table.

If you missed game one, the link is below -

https://yarkshiregamer.blogspot.com/2019/04/ww1-naval-campaign-war-is-declared.html

As with the first report, the AAR below is how our game developed, the scenarios in the Campaign have a number of tactical events along the way meaning that games can be radically different depending on how those tactical events play out or how the game has been affected by previous Political events.

Game 2 - Heligoland Bight 


3rd British Destroyer Flottila
Following the first act ion, the Chase of the Könign Luise there was a lull of several weeks with no action. The British however noticed during this patrol phase that German Light Forces regularly sailed out in broad day light around Heligoland.

The British planned to push their own light force inside the German patrol line and bring them to Battle.

German Destroyers quickly under heavy fire 
The game starts at 6.00 am, Visiblity is restricted to 7500 yards. The 3rd British Destroyer Flottila consisting of the Light Cruiser Royalist and the Destroyers Liberty, Lydiard, Landrail, Contest, Garland, Spitfire and Sparrowhawk are steaming South with 2 German Torpedo Boats V2 and V4 7,000 yards West of the closest British ship, line astern, sailing South East. (nb.  Some ship names are different to those present in real life, this is because I don't have models of every ship in the Royal Navy in 1914, yet 😉)

HMS Royalist
Unknown by the British Player the powerful German Battlecruiser Sqn the 1st Scouting Group consisting of Seydlitz, Moltke, Goeben, Von der Tann and Blucher is at sea.

06.23 German 3rd Scouting Group consisting of the Light Cruisers Frauenlob, Stettin and Dresden, appear, 7500 yards South of the Southern most ship, sailing North West.

German 3rd Scouting Group
06.30 Additional German Torpedo Boats arrive from the 1st Half Flottila of the 1st TB Flot, 7000 yards from the western most ship sailing East.

Frauenlob scores a direct hit on the Bridge of HMS Royalist but fails to do any damage, the same turn Stettin lands a shell on the Bridge of the Destroyer HMS Contest but again the British escape with no major damage, the tide of the game could have definitely changed at that point.

1st Half Flottila (German)
The British were under a bit of pressure at the point, outnumbered 3 to 1 in Light Cruisers and on par with Destroyer, the initial aggressive tactics of the Royal Navy had got them in a spot of trouble.


So it was a relief when at 06.37 the 1st British Destroyer Flottila led by the Scout Cruiser HMS Active (with Destroyers Attack, Acheron, Hydra, Badger, Ariel and the Yarkshires very own Ferret) arrived 7500 yards to the east of HMS Landrail.

1st British Destroyer Flottila
The following turn (06.45) saw HMS Lydiard in real trouble, she was hit hard by the German Light Cruiser Frauenlob, sustaining a bridge hit and a serious fire.

HMS Lydiard in trouble
It was an action packed phase with the British player chucking torpedoes at the German ships to no avail.

Bags of action
0700 saw the Britsh Light Cruiser Sqn arrive, HMS Southampton, Birmingham, Falmouth, Nottingham, Lowestoft and Gloucester. Six Light Cruisers with six inch guns was making the German Commanders think seriously about their options.

British 1st Light Cruiser Sqn
But for now the action was all down at the other end of the table, HMS Lydiard despite the best efforts of her crew sank due to the cumulative effect of the fires on board. On the same turn HMS Landrail also suffered a bridge hit and fire from an engagement with SMS Dresden.

The end of HMS Landrail
Both sides had become a little more cagey than the initial gung no charge into contact with the initial forces on table. Lots of shell's were being exchanged but the British Destroyers had withdrawn towards the cover of the Light Cruisers, whilst the Germans were no keen to get too close in fear of the approaching 6 inch guns of the Town Class Light Cruisers.


More German Light Cruisers started to arrive but these were some distance away from the action.


The British finally got some decent hits on two German Torpedo Boats who had got themselves a bit isolated. A rudder hit and a couple of fires made things a bit more interesting for V2 and V4.

German Ships taking proper damage at last
But it wasn't all fluttering White Ensigns and renditions of "Rule Britannia" as HMS Landrail also failed to deal with its fire, this time the ship exploded in close proximity to the Light Cruiser HMS Royalist setting a minor fire on the deck off that ship.

HMS Royalist is now alight
By 07.37 it was like the 1812 Overture as explosions were going off all over the table, V2 exploded having failed to put outs it's fire. It was the day for it and the British players were sweating as the Royalist kept failing to put it's own fire out, which for a Light Cruiser should have been straight forward.


The British Light Cruisers were now starting go get the range of the Germans who had been keeping their distance. Information concerning a possible smoke plume seen to the south was despatched to the British player who sent HMS Gloucester to investigate.

V2 sinks 
The Germans lost one of their Destroyers as they withdrew but the decision to pull back had been made, the remaining German Torpedo Boats making smoke to begin to cover the retiring Light Cruisers, the British didn't really push the pursuit and at 08.30 HMS Gloucester spotted the German Battlecruisers in the distance.


And that was the game over the British player realised that his nearest support, a Sqn of aging Armoured Cruisers were no match for the likes of Moltke and withdrew. The Germans who had already started to pull back couldn't take advantage of the potential help from the Battlecruiser Sqn as they were too far away from the British to keep them engaged.

HMS Royalist is saved.
That just left us with the post game phase, Royalist had one chance left to extinguish it's now raging fire, 16 or more on 3d6. Easy 😉

A further German Destroyer V4 sank due to flooding on its way back to port meaning that the losses in the game were even, 2 Destroyers a piece.


Which just leaves me time to show off my new cool dice shaker !

A evenly matched game which ended in a cautious stand off. There are so many variations in the Campaign book that this could have gone a number of ways, even splitting into two seperate battles. In my first grumble about the book, the instructions for this scenario are dreadfully confusing but I managed to get there after reading it hundreds of times.

There will be a short break in the Campaign whilst I catch up on some painting, I didn't notice initially, but Scenario 3 contains some older vessels I don't own. Who needs an excuse to buy more ! I got the missing ships from Tumbling Dice so look out for a review / comparison post on them soon.

Thursday, February 13, 2020

Brave Browser voted the best privacy-focused product of 2020

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Out of all the privacy-focused products and apps available on the market, Brave has been voted the best. Other winners of Product Hunt's Golden Kitty awards showed that there was a huge interest in privacy-enhancing products and apps such as chats, maps, and other collaboration tools.

An extremely productive year for Brave

Last year has been a pivotal one for the crypto industry, but few companies managed to see the kind of success Brave did. Almost every day of the year has been packed witch action, as the company managed to officially launch its browser, get its Basic Attention Token out, and onboard hundreds of thousands of verified publishers on its rewards platform.

Luckily, the effort Brave has been putting into its product hasn't gone unnoticed.

The company's revolutionary browser has been voted the best privacy-focused product of 2019, for which it received a Golden Kitty award. The awards, hosted by Product Hunt, were given to the most popular products across 23 different product categories.

Ryan Hoover, the founder of Product Hunt said:

"Our annual Golden Kitty awards celebrate all the great products that makers have launched throughout the year"

Brave's win is important for the company—with this year seeing the most user votes ever, it's a clear indicator of the browser's rapidly rising popularity.

Privacy and blockchain are the strongest forces in tech right now

If reaching 10 million monthly active users in December was Brave's crown achievement, then the Product Hunt award was the cherry on top.

The recognition Brave got from Product Hunt users shows that a market for privacy-focused apps is thriving. All of the apps and products that got a Golden Kitty award from Product Hunt users focused heavily on data protection. Everything from automatic investment apps and remote collaboration tools to smart home products emphasized their privacy.

AI and machine learning rose as another note-worthy trend, but blockchain seemed to be the most dominating force in app development. Blockchain-based messaging apps and maps were hugely popular with Product Hunt users, who seem to value innovation and security.

For those users, Brave is a perfect platform. The company's research and development team has recently debuted its privacy-preserving distributed VPN, which could potentially bring even more security to the user than its already existing Tor extension.

Brave's effort to revolutionize the advertising industry has also been recognized by some of the biggest names in publishing—major publications such as The Washington Post, The Guardian, NDTV, NPR, and Qz have all joined the platform. Some of the highest-ranking websites in the world, including Wikipedia, WikiHow, Vimeo, Internet Archive, and DuckDuckGo, are also among Brave's 390,000 verified publishers.

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